Music

Ticket link: https://tickets.avalontheatre.com/ordertickets.asp?p=1733... “Anyone who’s been in an audience when the San Francisco Bay-area Dirty Cello takes the stage knows that something unique happens whenever cellist Rebecca Roudman and ensemble come face to face with living, breathing (and whooping and shouting) fans.” Strings Magazine From China to Italy, and all over the U.S., Dirty Cello brings the world a high-energy and unique spin on blues and bluegrass. Led by vivacious cross-over cellist Rebecca Roudman, Dirty Cello is cello like you’ve never heard before. From down-home blues with a wailing cello to virtuosic stompin’ bluegrass, Dirty Cello is a band that gets your heart thumping and your toes tapping! https://www.dirtycello.com/ See Less

Easton's Sounds of Summer series continues with James Byrne! James Byrne is a guitarist born and raised in New York. He studied closely alongside Grammy Award winning guitarist David Cullen and went on to earn a bachelor's degree in Music Performance for the jazz guitar. James relocated to Ellicott City, Maryland in 2019 where he began to explore the Baltimore/DC music scene. Since then, he has performed at many notable venues and events such as An Die Musik, Germano's, Columbia Station and many more. He will be joined by Jeron White on Bass and Jack Naden on Drums. James will be playing in front of the Tidewater Inn on Friday, June 11th, from 6PM to 9PM.

Peter Bradley Adams Sunday, June 20, 2021 at 8 p.m. The Avalon Foundation’s Stoltz Pavilion 218 N. Washington Street Easton, MD Tickets: $50 Tall Table for Two $50 Patio Set for Two $100 Patio Set for Four Please note that tickets are per table.  No individual seats sold. "...Adams fuses intimate, emotionally powerful lyrics with graceful, low-key roots-based indie folk…” All Music Guide Adams is an Americana singer-songwriter who tells tales of love and loss, homes and hearts. The territory he mines is a deliberate mix of fact and fantasy, but regardless of the details, there's always a philosophical bent that is often more under than on the surface, firmly grounding Adams’ songs even as they stretch outward. His brand of Americana nestles his often delicate, always heartfelt voice in the warm embrace of gentle guitar, tasteful dobro, subtle banjo, supportive bass, and unhurried percussion. The result is a sonic scape that, in turn, wraps itself around the listener like a soft blanket on a cold day. http://www.peterbradleyadams.com/